![]() ![]() Beyond the job itself, Harry can see that Arlene's motives are not motherly love. This revelation is bad timing for Harry as he starts on a new case, to locate two-week missing sixteen-year-old Delly Grastner for her mother, twice-divorced Arlene Iverson, a former bit actress. Although she still loves Harry, Ellen believes his work - especially having to do all his own legwork in his independent agency, as opposed to working for a larger private investigation firm - is overtaking his life and their marriage. What he thought was his stable marriage to high-end antiques gallery manager Ellen Moseby is not, when he finds out she has been having an affair. Harry Moseby is a former pro football player turned Los Angeles-based private investigator, who owns his own independent firm. ![]() Claudio Carvalho, Rio de Janeiro, Brazil But he soon finds that the initial missing person case is actually a complex smuggling operation of a valuable artifact. When Harry learns that Delly has died in a car crash, he suspects Quentin. Harry and Ellen have a long conversation trying to solve their marriage problems. The reluctant Delly surprisingly agrees to return to Los Angeles with Harry to live with her mother. Harry is welcomed by Paula, who works with Tom on a boat and has an open relationship with him. Then he visits stuntman Marv Ellman and stunt coordinator Joey Ziegler and follows the new lead, heading to the Florida Keys, where Delly is living with her stepfather Tom Iverson. Meanwhile, Harry finds that his wife Ellen is cheating on him, and he has difficulties in handling the situation. Harry discovers that the runaway girl has a promiscuous life and uses drugs, and he tracks down her last boyfriend Quentin, who works as a mechanic on the sets. The idea was met with enthusiasm, and everyone converged on the idyllic, secluded Pachyderm Studios for a hectic, bustling week of creation and homage.In Los Angeles, the private detective and former athlete Harry Moseby is hired by the retired obscure Hollywood actress Arlene Iverson to find her 16-year-old missing daughter Delly Grastner. ![]() New songs honed and selected, the band re-approached Agnello to get feedback on the material and working together again. So the notion of getting a cohort together in the moment actually made strangely perfect sense under the circumstances. The funny thing is that, for anyone that’s ever spent an inordinate amount of time in a recording studio, the process of making an album is its own social distancing of sorts. Out of that came a brace of new tunes that simply called out to be documented. With the band restless after the campaign for their third album, Can You Really Find Me (2019), which was prematurely cut short by COVID, they did their best to keep busy: writing songs, building greenhouses in South Dakota for a friend, rehearsing the aforementioned songs. That album was set to be made at Pachyderm Studios but had to be relocated when studio owner John Kuker sadly passed away on the eve of the recording dates. ![]() The band and Agnello had worked together previously on the band’s second album, 2016’s These aren’t pandemic songs… more a bit of unfinished business that the pandemic allowed to be fulfilled. Synthesizers sweep, the pedal steel swoons, the high lonesome harmonica calls across a distance. “Fallacy Actually” showcases Night Moves further evolution as a band and as songwriters, still trading in massive pop hooks that somehow manage to convey a sense of yearning melancholy but with a sense of maturity and perspective in the arrangements that comes with time. “Fallacy Actually” and the batch of new songs that will follow were recorded at Pachyderm Studios outside of the band’s hometown with producer John Agnello (Kurt Vile, Alvvays, Dinosaur Jr.). I love the soft flute – makes me think of Canned Heat meets Motown meets The Spinners on acid.” The song went through a lot of changes, styles, and moods. I wanted it to have a NOVA, UFO abduction, backroom Estonian roller rink discotheque kind of vibe. The inevitable end of things, hatred versus acceptance, flawed thoughts, and what could have been. Singer John Pelant describes the track as, “A dense cosmic romp that deals with personal fears and letting go. Minneapolis-based quartet Night Moves return with the psychedelic new song “Fallacy Actually.” The first track in a series of new singles to be released incrementally over the next year, “Fallacy Actually” is a head-spinning swirl of layered synths, harmonica, and guitar and a fitting introduction to the band’s next chapter. ![]()
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